Jhijhiya is a renowned folk dance of Bihar and is acted in the Historical town of Mithila. Mithila should be the origination of Lord Sita, who was viewed as an avtar of Lord Lakshmi, the partner of Lord Mahavishnu. Supposedly, King Janaka found the child Sita from under the earth during one of his morning walks. With such historical background, the folk dance of Jhijhiya is performed with extraordinary force and zeal in Bihar.
History
The Jhijhiya dance appears to have been performed even in the previous long periods of history. There are specifies about this dance by the ladies of certain clans in Bihar on the last day of Navaratri - which is normally alluded to as Bijaya Dasami. This means Victorious 10th day and the ladies thank god for every one of their accomplishments and petition God for more on this day while playing out the Jhijhiya dance.
Portrayal
Jhijhiya dance is performed by the women so to speak. The whole Navaratri - 'nine nights' festival is commended to adore the three sorts of Lord Lakshmi, Parvati and Saraswathi. This is an incredibly cherished festival for women and is commended with a lot of sprightliness and miracle all over the country. Going by real factors in old stories, these three designs joined to obliterate Satan god Mahishasur, so this is seen as a time of win and achievement over each malevolent thing.
The day after the nine evenings, which is the day of Bijaya Dasami, the ladies of Bihar get together and play out the Jhijhiya dance. This dance needs a great deal of training, as the ladies convey lit lamps on their heads when they dance. The majority of the society moves have some perspective like this - which adds more excellence and beauty to these people moves.
The development of food crops is a significant occupation and method for living in India and for development, the downpour is the main component. The impulses of rainstorm can prompt either terrible or no yields, and the tribals of Bihar, perform petitions to their Gods, to favor them with a copious collect. Since this relies upon downpour, they perform extraordinary petitions to the Rain God and to the King of Gods, Lord Indra, so he deals with sending sufficient downpour for the harvests to develop well. The women play out the Jhijhiya dance as a component of their requests and solicitation God to deal with their harvests and keep them from getting into a condition of starvation or less food crops. They additionally say thanks to God for so many years' development and solicitation for proceeded with great harvests.
The artists of Jhijhiya put lights made of mud on their heads. These lights are slyly planned with openings in them. There are lights that are set inside these lamps. These lights are loaded up with oil or ghee and lit. A delight must be seen, as the lights continue to consume the openings of the lamps and since the ladies are holding this in their minds, the light likewise is by all accounts moving delicately and smoothly. This is an exceptionally gorgeous sight to be sure.
These artists are thoroughly prepared and appear easily moving, and this demonstrates that they have been preparing structure a youthful age to move to this flawlessness. The light radiates through flawlessly emerging from those complicatedly cut openings in the lamps and we can't resist the urge to commend the artists - the oil isn't spilt, they don't lose balance, it is all methodicallly and expertly executed, that we feel they merit a vastly improved acknowledgment for all their energy that is shown in playing out this Jhijhiya dance - these people moves talk such a huge amount about our capacity, yet anyway a couple of these moves have hoarded the spotlight. It is time we awakened and put our endeavors in spreading the data about the significance of our people moves.
